Ìý | This series had its genesis when I began Â鶹´«Ã½Ó³»area location shoots in the summer of 2010 to get over a post-Olympics funk. Film and TV productions likeÌýMission Impossible: Ghost Protocol, Fringe, Supernatural and The Killing showcase our city in similar fashion and sometimes put a celebrity actor or two in the frame. |
It's not often in this seriesÌýthat I get an opportunity to talk about movies where Â鶹´«Ã½Ó³»plays itself butÌýthe VancouverÌýInternational Film Festival is showcasingÌý17 locally-filmed features in theatresÌýover the next two weeks.
Four of the most-buzzed-about areÌýSisters & Brothers, the third in Carl Bessai's trilogy about dysfunctional Â鶹´«Ã½Ó³»families with real-life friends Cory Monteith and Dustin Milligan as brothersÌý; mockumentary Sunflower Hour about maladjusted puppeteers vying for a spot on a hit children's show featuring real-life pals Patrick Gilmore and Ben Cotton; dramedy Everything &ÌýEveryone about a group of family and friendsÌýwith Ryan Robbins's naked torso in the teaser; and Donovan's Echo with Danny Glover as a man who returns to his family home 30 years after a tragic accident in a movie produced byÌýveteran Canadian actor Bruce Greenwood.
I met and chatted with some of the filmmakers and cast earlier this month at a VIFF media conference but didn't get to see any of the filming here, mostlyÌýbecause the low budgets meant shootingÌýis done mainly on weekends with a limited crew. The Sunflower Hour writer/producer/director Aaron Houston told me it tookÌý eight weekends,Ìýsixteen days of filming, seventeen locationsÌýand thirty-four actors to make his caustic andÌý reportedlyÌývery funny Spinal Tap homage. Eveything and Everyone took only 12 days in Maple Ridge andÌýAlouette Lake; Donovan's Echo filmed last November in Fort Langley. So I've made an exception in this series and usedÌýthe VIFF handouts below to illustrate the films not my own photographs. From top to bottom: bearded Dustin Milligan and Cory Monteith as brothersÌýin Sisters & Brothers; bad-ass Irish puppeteer Ben Cotton and his smoking puppetÌýin Sunflower Hour; Gabrielle Rose and her newly-discovered grandson Ìýin EverythingÌý& Everyone; and Danny Glover in spooky blueÌýon a bridge in Donovan's Echo.
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Low budgets don't have to limit these films when it comes to promotion though. Â鶹´«Ã½Ó³»filmmakers areÌýas savvy about social media as anyone in this city. The Sunflower Hour and Donovan'sÌý Echo boast websites, YouTube trailers, facebook pages and Twitter accounts. Everything & Everyone has a teaser on You Tube and a facebook page. Sisters & Brothers has a facebook page and currently rules Twitter thanks toÌýGlee star Cory Monteith's 800,000+ Gleek followers. Almost everyone involved in that film has a Twitter account including @SisBroFilm and director @CarlBessai.
Sisters & Brothers, which premiered at the Toronto International Film Festival on September 11th, Ìýscreens at VIFF on October 5th and 11th Ìýin the Visa Screening Room at the Vogue Theatre. Despite their star billing, Cory Monteith and Dustin Milligan only did one day of participatoryÌýfilming hereÌýas one of the movie's four sibling pairs,with Monteith as a famous movie star and Milligan as his not-famous brother. Other featured pairings include Corner Gas's Gabrielle Miller and Shattered's Camille SullivanÌýas sisters (but not each other"s) andÌýyou will recognize lots of local talent like Gabrielle RoseÌýin this hand-held, collaboratively filmed feature.
I looked for director Carl Bessai at the VIFF media conferenceÌýbut he'd already left forÌýToronto to prep for the premiere with all the hoopla that a TIFF launch entails.ÌýLA-based Cory Monteith and Dustin Milligan didn't show either, but kindly re-tweeted my Sisters & Brothers tweet that day, no doubtÌýcontributing toÌýmy latest Klout perk. It seems the entire cast travelled to TIFF for the premiere to do press, attend the screening and mingle at the after-party.ÌýMonteith and Milligan told and retold the story of their early days working together in a Â鶹´«Ã½Ó³»cake shop. And @SisBrofilms sponsered anÌýimpromptu contest to give local fans a chance to attend.ÌýPhotos of the cast and tweets from the cast flooded my timeline that weekend. My favourite had to be Dustin Milligan (my photo of him in secret agent-mode below) 's tweet about getting beat-up girl-style by his co-star Camille Sullivan (my photograph of her in blue halter below) and stumbling back from hisÌýfirst TIFF afterparty.
Sunflower Hour, already making the rounds of filmÌýfestivals, screens at VIFF on October 13th and 14th in the Empire Granville 7 theatres. Its tagline says it all: Mockmentary Movie or Documentary TV? Whatever it is, Sunflower Hour is not for Kids! It sure isn't. A clip in the trailer demonstratesÌýsomething dubbed "Puppet Pleasure". I met director Aaron Houston and most of the mainÌýcast at the VIFF media conference and talked with wickedly-funny Patrick Gilmore about his recent Dragon-Con experience being carried onto the stage by one of hisÌýSGU Stargate Universe co-stars and about his deliciously-debauched scene in The Killing as a Ìýrich dick billionaire in aÌýstuffed speedoÌýwithÌýcall girls swimming above his head in the ceiling lap pool at the Keefer Hotel.
By contrast, Sunflower Hour is said to have filmed in Vancouver's blandest hotel and least posh suburbs and Patrick Gilmore isÌýa homophobic preacher's son not a sleazy billionaire. I laughed the moment I saw the officialÌýposter with Gilmore'sÌýcurls (see photo below) slicked down like a kid's asÌýone of the four puppeteer finalists being followed by theÌýreality-TV crew. Fellow puppeteer finalist Amitai Marmorstein told me Gilmore kept cracking him up during filming and ruining takes.
Patrick Gilmore, Ben Cotton, who's best-known for Harper's Island and hopefully the latest prequel to Battlestar Galactica, and Amitai MarmorsteinÌý travelled to a Quebec City film festivalÌýscreening for Sunflower Hour,Ìýtweeting about being treated to rounds of drinks until 3 a.m. and poutine until 4 a.m. while way-out-of-their-league girls flirted with them. Sunflower Hour also screens at the Calgary Film Festival so we canÌýlook forward to more tweets about their adventures.
Everything & Everyone gets its world premiere at VIFF on October 12th at the Empire GranvilleÌý7 theatres, with a second screening the next day. I talked with director Tracy D. Smith and actor Gabrielle Rose at the VIFF media conference but lead actorÌýRyan Robbins from Sanctuary (my photo below)Ìýcouldn't attend because he was filming yet another movie unlike his Everything & Everyone characterÌý-- Ìýa failedÌýactor who livesÌýwith his Mom played by Rose. SheÌýis quietly coping with the onset of dementia. ThenÌýsocial services drops off her son's newly-discovered school-age son and this generational taleÌýof aging and loss, love and laughter is complete.
Donovan's Echo screens at VIFF onÌýOctober 9th and 11th in the Empire Granville 7 theatres. It's about a brilliant mathematician Donovan Matheson, played by Danny Glover, who tries to make sense of a bizarre series of events that repeat on the 30th anniversary of a personal tragedy. Is it deja-vu or is there a logical explanation? Director Jim Cliffe told me there are supernatural elements to the story of Glover's character trying to save another family from a similar fateÌýor as the movie's tagline puts it:ÌýCan his past save her from the future? Bruce Greenwood not only co-stars, he produces the film.
Gabrille Rose has to be the busiest actor at VIFF. Her third filmÌýin the festival is The Protector, a horror short about the dangers of seeking refuge in a 1940s doctor's office. Rose explained its genesis in the weekendÌýBlood Shots Challenge. Director Brianne Nord-Stewart andÌý the writer brainstormed with the cast on a Friday night, then wrote the script overnight,Ìýfilmed Saturday, edited Sunday, submittedÌýSunday night and won the challenge.Ìý48 hours without sleep for them but only a day's filming for Rose and the rest of the cast. The Protector is part of the Air series at VIFF.
None of these Â鶹´«Ã½Ó³»films is the Canadian Images Opening Gala tomorrow night. That honour belongs to Sarah Polley'sÌý Take This Waltz, featuring Michelle Williams in the unbearable humid heat of a Toronto summer. I can attest that summer in TO can beÌýlike Ìýinhaling dirty soup and plan to attend the screening.
Update: Corrected screening times for Sunflower Hour, which is a good thing because it proved to be a big success at VIFF, earning the award forÌýBest Ensemble Cast.
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