Â鶹´«Ã½Ó³»­

Skip to content
Join our Newsletter

General Archive

Bushkowsky's Monsters grapples with childhood scars

Overbearing parents show up as zombies in darkly comic play

How did Hamlet get so screwed up?

Hamlet, Martin Luther and John Faustus cross paths in Wittenberg

Bond franchise marks 50th birthday with a bang

Skyfall boldly reaffirms 007's relevance in changing world
10 Questions: Penthouse forum

10 Questions: Penthouse forum

Writer talks liquor, lust and law

Ian Caddell remembered

We note with great sadness that Ian Caddell, journalist for the Georgia Straight, editor of Reel West magazine and founding member of the Â鶹´«Ã½Ó³»­Film Critics Circle, passed away Wednesday after a two-year battle with cancer. He was 63.

Movie Review: How to Survive a Plague

HOW TO SURVIVE A PLAGUE Directed by David France Transporting us back to New Yorks Greenwich Village in 1987, David Frances documentary reacquaints us with a world thats barely recognizable anymore.
Movie Review: Bond gets personal in Skyfall

Movie Review: Bond gets personal in Skyfall

Skyfall Directed by Sam Mendes Starring Daniel Craig, Javier Bardem, Judi Dench The worlds favourite super spy is back and this time around things are getting personal.
I Get the Feeling... that Scatterheart's new video was hard to make

I Get the Feeling... that Scatterheart's new video was hard to make

Mike Southworth can now fondly look back on the 12 hours he spent submerged in a pool and being pelted with water. It had, after all, seemed like such a simple idea why not shoot most of his bands next music video under water? But you try it.
VSO provides live soundtrack for City Lights

VSO provides live soundtrack for City Lights

When Vancouvers storied Orpheum Theatre opened in November 1927, it did so with a week-long run of the silent film The Wise Wife.
Kidd Pivot adapts The Tempest for the dance stage

Kidd Pivot adapts The Tempest for the dance stage

The rich language of a Shakespeare play can pose a challenge for even the most veteran of thespians, but to replace the Bards famous words with human movement presents a whole other test of creativity.