Simon Fraser’s Canoes Descending the Fraser River by John Innes & G.H. Southwell [unrestored]
This is a followup post on the long lost Spencer’s department store murals originally posted . A few clarifications I need to make over last week’s post; I originally said Golden Jubilee, but in fact, it was the Diamond Jubilee of Confederation in 1927. And to be clear, had passed away in 1920, but it was still common to refer to the department store as . To bring you up to speed, I’ve been trying to find out just what happened to these 1927 murals painted by John Innes and G.H. Southwell. The trail goes cold in December of 1948 when Spencer’s is acquired by the Timothy Eaton Company.
At this point in time, Eaton’s takes control of the Spencer’s store in Vancouver, transforming it into an Eaton’s store. In 1972, it was time for Eaton’s to move into the . Then on May 5, 1989, its doors in the Spencer Building at 515 West Hastings. In search of the murals, I looked high and low, asking everyone I could think of, including the Â鶹´«Ã½Ó³»Archives, the Â鶹´«Ã½Ó³»Art Gallery Library, SFU, the Archives of Ontario which holds the Eaton’s archive, Gary Sim, Jaleen Grove, the VPL and more, but no one seemed to know the murals’ whereabouts.
I recently acquired from the actual brochure that Spencer’s handed out in 1927 titled Tableaux of Canadian History and Industry. The . Regretfully, it contains no images of the murals, but it provides some context to the scenes and the Jubilee celebrations. It seems there was also a display of significant historical events in Canada’s history which they called the Historical Tableaux. This was executed by George Patterson, adapted from pictures by and in . Furthermore, there was a series of Industrial Exhibits from Canadian manufacturers which were displayed in the store. It was like a mini Exposition!
Spencer’s 1927 brochure titled Tableaux of Canadian History and Industry from .
I was about to give up early when I finally uncovered a significant clue! Page 76 of the book by Marylin J. McKay states:
In 1927 John Innes (assisted by George Southwell) painted ten panels for the Â鶹´«Ã½Ó³»department store of David Spencer (some panels destroyed, some panels in storage in the Art Gallery of the University of British Columbia). They represent logging, mining, fishing, and agriculture. One panel includes an image of Simon Fraser on the Fraser River…
Pioneer Mining, 132 x 564 cm
Pioneer Logging, 132 x 564 cm
Pioneer Farming, 132 x 442 cm
Pioneer Fishing, 132 x 442 cm
So there you have it! I forgot to ask UBC! The book continues to offer clues, stating the paintings were removed from the store and donated to UBC, as noted in the Â鶹´«Ã½Ó³»Sun on March 24, 1949. And I subsequently learned that according to the Spencer’s file at UBC, these two paintings did not survive this donation:
- Captain Vancouver’s Ships at Nootka
- Mackenzie Menaced by Indians at Bella Coola
Perhaps culturally, this is no great loss; early colonial depictions of First Nations are too often historically inaccurate, demeaning, and demoralizing. Had these scenes been painted by the most respected First Nations artist of the day, they certainly would have had different titles! While these murals may have a colonial naivete about them, I still feel they are a notable reflection of their time.
Since the book A National Soul was written in 2001, things have changed. Upon contacting the Belkin Art Gallery at UBC, I’ve learned that some of the 8 surviving murals were deaccessioned from their archives in August of 2008. After requesting photographs, 5 images including 4 hastily made panoramic photographs were sent documenting their poor condition. The murals were indeed a pale reflection of their former glory. The colours muted and the canvases scratched and torn, these murals certainly did not resemble the vibrant colours seen in . The quality of the artwork, logistical issues surrounding their storage, and the daunting task of restoration seemed too great a burden for the art gallery to maintain.
I’ve taken the roughly stitched panoramas and tried to simulate a restoration of colours to give you a slightly better indication of what the paintings may have looked like. Unfortunately, the quality of the photograph of Simon Fraser’s Canoes Descending the Fraser River is too poor to accurately correct, but at least you have some indication of the colours that cannot be seen in the black and white photograph. This painting was perhaps aesthetically the best work in the series, and it’s a shame it has not found it’s way to the art collection at SFU.
Of the four panoramic murals, the Pioneer Fishing mural and Pioneer Farming mural appear to have the same dimensions. Likewise, the Pioneer Logging and Pioneer Mining murals appear to have matching dimensions. While we may not be able to determine precisely where these paintings hung inside Spencer’s, future photographic discoveries may one day help to answer this question. I do think the Pioneer Fishing mural would have looked handsome on display somewhere in town today, even in its unrestored state. The scene clearly depicts the Burrard Inlet and the North Shore Mountains, one of the most popular and recognizable views in the city. It did appear to have been in the best condition of the 5 photographed murals.
I had presumed that deaccession most certainly meant these paintings were now lost, but in fact, this is not the case. There was one other person I wanted to ask about these murals, and as it turns out, this was precisely the person I needed to speak with. Upon emailing Cheryle Harrison of , I’ve learned that these four pioneer murals have been entrusted to her! Cheryle was the conservator for the Southwell paintings in the B.C. Legislature and she led the restoration of the Malaspina Hotel murals created by EJ Hughes, Orville Fisher, and Paul Goranson, so there is perhaps no more qualified guardian for their future. As for the other four murals of historical scenes, I’m not quite certain where they’ve ended up. Lost, destroyed, stolen, or deaccessioned, I have yet to track them down. To review, here are the missing titles once again:
- Captain Â鶹´«Ã½Ó³»Exploring Burrard Inlet
- Ships of Spain off Point Grey
- Simon Fraser’s Canoes Descending the Fraser River
- Trading with the Indians at Fort Victoria, 1845
And so, I must conclude my epic search for the long lost Spencer’s department store murals (for now at least). Like so many murals around the world, they have slipped into the past, nearly forgotten. The story behind these murals seems to me almost as fragile as the murals themselves. Having pieced together the details above, I take some consolation in the fact that their story has once again been told. There are so few specimens that do survive, increased awareness of the rarity and fragility of historical murals is perhaps one of the best possible outcomes of this quest. The next time you see a mural in situ, be sure to treasure it!
