Warning: This story may contain material and images that are offensive to some audiences.
Five years ago today, āObsidianā stepped out of a vehicle near the East Van cross and into the annals of Ā鶹“«Ć½Ó³»lore.
Under the cover of darkness and as the midnight hour waned, he and three friends needed to act quickly: fasten a wooden platform, screw the supports down and apply some glue.
They needed to make sure Satan was secure.
Enter the mystery and majesty behind āPenis Satan,ā a bright red satanic statue placed one block north of Clark Drive and Great Northern Way, near the cityās iconic East Van Cross.Ģż Ģż
Commuters woke up to the otherworldly one on Sept. 9, 2014, and what they saw was a hybrid of Anton LaVey and Ron Jeremy: a red, fibreglass statue of Satan, standing seven-feet-tall, brandishing the devilās horns salute and sporting a hard-to-ignore erection.
City staff removed the statue within two days, but speculation continued as the story made international headlines.
Who built the statue? Why? And what happened to it?Ģż
That level of recognition is partly why āObsidianā wouldnāt allow the Courier to use his real name in print.
In his first conversation with a reporter since those days of hellfire and brimstone, Obsidian recalls the intense scrutiny as rather off-putting.
āIt blew up so fast, the next day it kind of shook me,ā he said. āI went to work the next day and my buddy starts sending me all these messages and it freaked me out. I came home and I was too afraid to leave my bedroom.ā
At the time, Hot Art Wet City arts collective founder Chris Bentzen wanted to house the sculpture so it could be included in the groupās annual nude art show āBoobies & Wieners.ā
Alas, Bentzen couldnāt find the rightful owner and the city wouldnāt relinquish the statue. So he settled for the next best thing and organized a life-drawing session complete with a costumed Penis Satan model.
āItās the same kind of idea as the sculpture at Dude Chilling Park ā somebody has randomly put something up and people embraced it,ā Bentzen said. āCities should do more of that. Ā鶹“«Ć½Ó³»definitely doesnāt do enough of that.ā
Ā鶹“«Ć½Ó³»Art Gallery (VAG) spokesperson Hanah Van Borek was contacted for this story, but knew little about Penis Satanās whereabouts or the artist.
When asked if the gallery would have housed the statue, she said a marriage between Penis Satan and the VAG wouldnāt have worked.
āI sincerely doubt we would ever have this on view,ā she told the Courier in an email.
Darryl Greer is a longtime contributor to the °ä“Ē³Ü°ł¾±±š°łās sister paper Business in Vancouver and took up the Penis Satan cause in the week it made headlines. He started an online petition to have the city adopt the art piece, and his efforts garnered more than 2,600 signatures.
Greer was interviewed by regional, national and international media outlets and became Penis Satanās de facto spokesperson in the absence of an owner.
āIt started out as a joke among Facebook friends commenting on it and I said, āSomeone should start a petition,āā Greer recalled. āIt took 10 minutes to write the thing and it took on a life of its own. Within that week, it ballooned and went international.ā
After city crews removed the statue, the city planned planned to hold on to it until its rightful owner turned up, but that didnāt happen.
Into the garbage Penis Satan went.
Eric Fredericksen is Vancouverās head of public art. He wasnāt a city employee in 2014, but was asked how heād respond to a similar quandary today ā guerilla art thatās placed on city property that garners significant public interest by an artist who wonāt claim ownership.
āIf something appeared and it was clear that it had value and it had interest, Iād probably look to get it as legitimate as possible to protect it against all the confusion that erupts when you donāt know who owns something or why itās in a certain place,ā Fredericksen said.
A nine-person public art committee appointed by council oversees civic art donations. Slightly more than $1.2 million is budgeted for newly commissioned public art between 2019 and 2022.
The city had previously spent $62,000 on the Main Street poodle sculpture and $65,000 on an art installation near the Cambie Street Bridge that asks passersby, āShould I be worried?ā
Not just for laughs
Which brings the story to today, Penis Satanās five-year anniversary.
The Courier spent two weeks trying to find the artist, who somehow managed to keep his identity almost entirely separate from the dark lord for half a decade.
āIāve just told people to keep quiet,ā Obsidian said. āSome people know. People who I donāt know are like, āI know what you did.ā I just smile and say thanks.ā
A source within the Ā鶹“«Ć½Ó³»arts community provided the Courier with Obsidianās contact information. Obsidian then provided photos of Penis Satan being installed to verify his identity and the story began to fall into place from there.
Obsidian lives in Ā鶹“«Ć½Ó³»and works in the hospitality sector. Heās in his mid-30s, and while he has no formal arts training, heās a longtime dabbler in the creative sector.
Penis Satan was not the name Obsidian envisioned. Instead, he fancies āEast Van Satan.ā
āEveryone thought I was a Satanist,ā he said. āThatās not it all. Not all things are so black and white.āĢż
He spent three months building the statue, which was a mannequin with some additional parts from a hardware store. The plaza where Penis Satan was erected was once home to a statue of Christopher Columbus but remains largely vacant to this day.
Obsidian cased the plaza beforehand, measuring the platform and getting the specs right before the big night.
āI go by that location all time and I thought, āMan, this thing is just sitting empty and it seemed so weird and desolate,ā Obsidian said. āI had to do something. One day, it popped in my mind and I was like, āAh, thatās it.ā
Obsidian enlisted the help of a few friends and waited for darkness to descend once it was go time. He sets the scene on Sept. 9, 2014 like this:
āWe put it up around midnight. I had a friend who drove us there,ā he recalled. āIt took about 10 minutes, maybe a little bit longer. We almost dropped it as we were setting it up. The pedestal was much higher than we remembered.ā
When Obsidian talks about his intention for the piece, it becomes clear this wasnāt solely a ham-fisted, half-baked exercise to get laughs alone.
Obsidian has an aversion to religion and politics. Despite the devilās horns salute, Obsidian dislikes heavy metal. Instead, that two-finger gesture is meant to highlight his disdain for sex crimes committed by religious figureheads.Ģż
As for the phallus factor?
āThatās whatās waiting for all the corrupt politicians,ā he responded.
More Satan statues across Ā鶹“«Ć½Ó³»followed after Penis Satanās demise, and Obsidian was responsible for all of them.
He erected a white female Satan statue in mid-August 2015 atop the Gene CafĆ© at Kingsway and Main Street. That Satan was pregnant, though it wasnāt clear if that was a result of consummating a relationship with Obsidianās previous work. Pregnant Satan remains in storage underneath the Gene CafĆ© to this day.
Shortly after that, another Satanic figure, this one with an even more exaggerated penis, appeared on the roof of the Red Gate Arts Societyās former studio on Hastings Street. Obsidian placed it there to protest the societyās eviction by Chip Wilsonās Low Tide property holdings firm. It was removed almost immediately.
Itās been four years since Vancouverās last dance with the devil. Will Obsidian be heard from again?
āMy plans arenāt certain,ā he responded. Ģż
°Ŗ“³“Ē³ó²Ō°³Ü°ł³Ü³¦³śĢż
Ģż
Ģż
Ģż
