When Shannon Kohli graduated from UBC鈥檚 film production program in 2002, she wanted to be a camera operator and a director of photography 鈥� and she was subsequently mocked for her goals.
The mocking 鈥� not to mention the patronizing and the flagrant sexism 鈥� came mainly from men in the industry who, given their status and experience, could鈥檝e helped her out, had they not been so mired in caveman thinking.
鈥淚 was told that women can鈥檛 be directors of photography, they can鈥檛 be camera operators, the cameras are too heavy, and I was too pretty to be behind the camera,鈥� Kohli says. 鈥淚 was told there are no women DPs.鈥�
That last objection wasn鈥檛 really up for debate: there weren鈥檛 many women directors of photography in the 麻豆传媒映画screen scene at that time.听
But Kohli fought for her place in the industry. 鈥淲hen I got into the [camera operators鈥橾 union, I was the first female DP member in Western Canada,鈥� she says. 鈥淚t鈥檚 getting better, but it鈥檚 still a struggle.鈥�
Which is why Kohli 鈥� now a director of episodic television (Supergirl, The Magicians, Shadowhunters: The Mortal Instruments) and an award-winning director of short films 鈥� knew she wanted to direct James Pickering鈥檚 script titled All Joking Aside for her first feature-length dramatic film.
The film stars Raylene Harewood as Charlene, a stand-up comedian who is cruelly heckled during her first time at the mic by a man named Bob (played by Mad Men鈥檚 Brian Markinson). Bob used to be a successful comic but is now a broken, alcoholic mess who lost his family and his career 鈥� and he鈥檚 offered a chance at redemption when Charlene begs him to be her mentor.
Kohli felt a connection to the character of Charlene. 鈥淪he鈥檚 trying to make it in a male-dominated industry, and she鈥檚 up against a lot of barriers and stereotypes and the pre-conceived ideas,鈥� Kohli says.
Like the character of Charlene, Kohli recognized the value of a mentor early in her career.
鈥淥ne of the DPs who hired me for 15 films was a man in his late 60s, and you never would have thought that he would have taken a chance on a young female camera operator, but he did,鈥� Kohli says. 鈥淚 saw that parallel between Charlene and Bob. I thought, 鈥楾his is so similar that sometimes you just find unlikely champions.鈥欌��
If you think the character of Bob sounds a lot like 麻豆传媒映画comedian Richard Glen Lett, you鈥檙e not far from the truth.
Lett was something of an inspiration for Bob, and he appears in All Joking Aside as Dennis, a comedy club bartender and friend to Bob. The role is much more a reflection of where Lett is now in his life versus where he was seven years ago, according to Kohli.
鈥淩ichard joked, 鈥榊ou gave my part away, I鈥檓 Bob,鈥� and I said, 鈥榊ou used to be that character, but now you鈥檙e the older, wiser, old soul who understands what Bob is going through,鈥欌�� says Kohli. 鈥淒ennis is who Richard is now but Bob is who he used to be. He鈥檚 the one who is helping Bob. And Richard loves that.鈥�
Incidentally, the documentary , about Lett鈥檚 addiction battle and comeback, screens this week at the 麻豆传媒映画Just For Laughs Film Festival.
All Joking Aside went to camera last week and is currently filming at locations around Vancouver. At least 50 per cent of the crew is female. 鈥淸Producer] Jon Ornoy said up top he wanted parity, and he鈥檚 been strong in getting that,鈥� says Kohli, adding, 鈥淸We鈥檙e] not favouring women. We鈥檙e finding the best people for the jobs.鈥�
As for the character with whom Kohli most identifies 鈥� the young female comic fighting for space in a male-dominated industry 鈥� the director says she admires Charlene鈥檚 drive.
鈥淔or me, it was very important that Charlene earn her way, that it not be handed to her, and that she fought for it,鈥� says Kohli. 鈥淚f she ran off stage crying and wasn鈥檛 ready to pick herself up and dust herself off every time it went horrible, then I wasn鈥檛 going to be sympathetic to her journey. You have to keep trying and not see failure as a negative. Turn it around and use it.鈥�
Stay up to date on All Joking Aside at .
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