Leave of Absence
At Pacific Theatre until Feb. 16
Tickets: 604-731-5518
pacifictheatre.org
Actor/playwright Lucia Frangione wrestles with the relationship between sexuality and spirituality in Leave of Absence the same concern that was at the heart of her highly successful Espresso in 2003. In that play the main character, played by Frangione, fantasized a sexual relationship with Christ. A Catholic, the young woman not only wants to adore Jesus, she wants to sleep with him.
In Leave of Absence, Frangione plays Greta, the single mother of 15-year-old Blake (Karyn Guenther). Employed by the Church, shes in love with Father Ryan (Tom McBeath) as well as dating someone called Elliott whom we dont see and separated or divorced from Russian-born tough guy, Leap (Craig Erickson).
Martha (Marie Russell) is the principal of the school associated with Father Ryans church that Blake, bullied by classmates who mistakenly think shes a lesbian, attends.
Deeply submerged in Christian mysticism, Martha believes in God as a loving mother figure and sings a hymn with the repeated entreaty, To come, to come, to come. Like clapping in church, were not sure whether to laugh or not.
So theres heterosexuality, homosexuality, forbidden sex (with the priest), tempting sex (with the well-built but thug-like ex) and reputedly not-very-sexy sex (with dainty according to Leap Elliott). Theres lots of romantic opportunity for Greta who, as Dr. Ryan scolds and dresses provocatively in low-cut blouses revealing ample bosom and tight skirts.
Directed by Morris Ertman, the pairings dont all work in spite of good efforts. There are few emotional sparks and even fewer sexual sparks between McBeaths Father Ryan and Frangiones Greta. Greta is luscious and hot. The priest is repressed and uptight. And its hard to imagine Greta ever being involved with Ericksons Leap; hes too brutal. While its possible to imagine Greta in a rough-sex relationship, Leap appears to have almost nothing going for him except steel-hard abs and his self-proclaimed performance in the sack.
Its a solid performance by Russell, who sings well and manages the ups and downs of Marthas spiritual flakiness. Sex is for breeding, she flings at Greta, who fires back: Sex is also for pleasure. Marthas all about sublimating sexuality in the service of God while Greta is desperately trying to merge her love of God and her sexuality.
Completely compelling is Guenther as the teenager. Shes got sweetness as well as teenaged attitude. Even after the Holy Spirit has visited Blake a female manifestation of God she appears rooted in reality. Indeed, one of the most moving scenes involves Father Ryan and Blake. Although a priest, Father Ryan has never seen or heard God. His disappointment with this truth is as immense as Blakes joy.
Non-Christians may have a hard time getting worked up about the interface between God and Eros. But the other story here and that one that compelled Frangione to write this play (according to her program notes) is an urgent, important one. Do we as parents and does the Church sufficiently protect our children or are we so caught up in our own lives and loves that they, often tragically, slip through the cracks?
Theres a lot happening in Leave of Absence. Too much. But its peppered with Frangiones unique wit and humour. From the absolute silliness of Chickens (2004), the sexy musings about Marilyn Monroe and Mae West in MMM (also 2004) and the goofy irreverence of Cariboo Magi (2006), Frangione goes back to her troubled relationship with God. Once again, she raises the question about Madonnas and whores: does it have to be either/or?
Leave of Absence
At Pacific Theatre until Feb. 16
Tickets: 604-731-5518
pacifictheatre.org
