For many people, their first introduction to Snow White and the Seven Dwarves comes via Disney’s groundbreaking animated feature of the same name, yet this December marks an astonishing 80 years since that cartoon classic hit movie screens. If you go even further back, the Brothers Grimm fairy tale that inspired the film was published more than two centuries ago, in 1812.
One could argue that the story is timeless, yet this year’s East Van Panto presentation of is looking to both modernize and localize the treasured piece. For director , who returns to the annual Theatre Replacement series after helming Little Red Riding Hood in 2016, “figuring out how to speak to our own city is a really fun puzzle.”
All will be revealed during Snow White’s upcoming run at the Cultch (Nov. 29-Jan. 6), but it’s confirmed that the production has the titular hero escaping the clutches of the wicked Queen of North 鶹ýӳand into the city via the Ironworkers Memorial Bridge, where she soon finds refuge on the PNE grounds. There, she’ll run into an out-of-luck rock band called the Seven Dwarves, not to mention a wildlife encounter with one of the fair’s favourite attractions, the SuperDogs.
“I think it allows people to feel like it’s their own story, which is part of why has become such a tradition for so many families so quickly,” Rochon says of the Panto’s penchant for recontextualizing classics for the community. Speaking on a call with Westender while taking a break from contemplating the set design and tweaking the script (written by playwright and humorist Mark Chavez), she adds: “Also, we’re able to poke fun at ourselves. Everybody likes a good ribbing.”
Actor Ming Hudson, who has performed on stages in Canada and the U.K., takes on the role of Snow White. It’s her first pantomime, a theatre style that redefines fairy tales with contemporary references, music and audience participation. While she can recall hallmark moments from the Disney musical, she jokes with Westender that she won’t be singing soprano like the late voice actor Adriana Caselotti. Hudson also reveals that while she initially approached the role from the perspective of an “emo teenager,” this East Van update doesn’t do a complete overhaul on the beloved character.
“Even if she looks different, I think the heart of the Snow White character is still very much the same: She’s kind and she’s a bit of an innocent,” says Hudson. “That’s definitely something that I’m drawing on from my cultural knowledge of the Snow White tale.”
The show, the Panto’s fifth, is expected to feature a family-friendly mix of humour and music, but there’s more bite to East Van Panto’s Snow White and the Seven Dwarves than the requisite chomp on a poisoned apple. Like Theatre Replacement productions of Jack and the Beanstalk and Hansel and Gretel before it, real estate issues factor into the play. Reflecting on Vancouver’s housing crisis, the Dwarves are a group of out-of-work artists stacked together in a Playland haunted house, which is only affordable to them during the park’s off-season. It’s a predicament that could deflate the heigh-ho spirit, but the present day politics aren’t meant to bring audiences down.
“It comments on our community, but not in any sort of pedantic way,” Hudson explains of the satirical nature of pantomimes. “It’s bringing light to the issues without having to be serious, necessarily. Bringing awareness to things through laughter, instead.”
In addition to spotlighting local issues, the play will also be re-conceptualizing pop hits for the crowd. As with last year’s Panto, 鶹ýӳmusician Veda Hille was asked to revamp contemporary cuts with new story-specific lyrics. Musical director Ben Elliott, who will be performing keyboards and piano onstage alongside drummer Todd Biffard, hints at the music of Lorde, Depeche Mode and even cult beat-boxer/rapper Biz Markie being a part of the production. And while there’s an evil queen in the play, the night’s soundtrack will be saluting Queen Bey.
“We might be referencing ‘’ by Destiny’s Child,” Elliot says with a laugh, as he looks up the newly modified lyrics in question. “‘Our Panto is ridicu-licious,’ that’s an example.”
From some expected prat falls, to vivid scenery, to the regionally minded jokes, this latest interpretation of Snow White and the Seven Dwarves is determined to shake up the Brothers Grimm archetype. But regardless of the twists or traditional takes that remain, there’s something in there for audiences of all ages to relate to.
“What is theatre but a mirror – a magic mirror on the wall, if you will,” Elliott says. “We go to the theatre to learn about ourselves and laugh at ourselves. When you have a place as unique and as interesting as East Vancouver, or 鶹ýӳproper, there’s so much material there to draw upon.”
• East Van Panto: Snow White and the Seven Dwarves runs Nov. 29-Jan. 6 at the York Theatre (639 Commercial Dr.). .