Poems Sheri-D Wilson performed from her Open Letter: Woman Against Violence Against Women collection at the National Slam Finals in Victoria last fall struck such a chord that Vancouver鈥檚 Verses Festival of Words will feature an event called Take Back the Mic. The poetic gathering touts how the spoken word can transform trauma into healing.
鈥淲e can come together in unity, women, by sharing our stories and by sharing ways to heal and ways to transform,鈥� Wilson said.
The lunchtime event on May 2 will see Wilson, Toronto-based poet and storyteller Lishai Peel and other women and feminist men speaking their truth and celebrating strength and bravery.
Wilson maintains personal stories can transform and build communities, becoming a collective voice that gathers momentum.
鈥淚t鈥檚 an exciting form,鈥� said the founder and artistic director of the Calgary Spoken Word Festival and founder and former director of the spoken word program at the Banff Centre.
Wilson鈥檚 Open Letter, which has already gone to third print, asserts our society treats the earth the same way it treats women. The collection mentions missing and murdered women from Vancouver鈥檚 Downtown Eastside, those who鈥檝e disappeared on the Highway of Tears in Northern B.C. and Wilson鈥檚 experiences of violence.
Wilson lived in 麻豆传媒映画for 20 years, worked in a studio behind the No 5 Orange strip bar on the edge of the Downtown Eastside, had a knife pulled on her in Gastown鈥檚 Blood Alley and hitchhiked on the Highway of Tears.
She started writing Open Letter a couple of years ago, unaware of how timely its publication in 2014 would be with allegations of sexual violence against comedian and actor Bill Cosby and radio host Jian Ghomeshi dominating the news alongside stories of women committing suicide after being harassed.
The poet of three decades has long wielded words to illuminate ignored women and their discounted concerns, sometimes before others found her focus socially acceptable.
Wilson says her writings聽 鈥渃onversations with my c***鈥� were banned but then lauded after Eve Ensler鈥檚 The Vagina Monologues saw mainstream success.
Wilson鈥檚 written about disregarded women surrealists and beatniks and celebrated spinsters in a way that makes that status aspirational. She鈥檚 written about women鈥檚 bodies and stroked her keyboard to conceive women鈥檚 erotica.
Wilson says two days of intense discussion followed her reading from Open Letter in Victoria.
鈥淭hat鈥檚 an interesting thing that happens out of poetry, poetry that is about taking action, poetry that doesn鈥檛 sit down and witness it from far away, but poetry that is in the midst of it,鈥� Wilson said. 鈥淭hat鈥檚 what I was taught to do by my teachers like Anne Waldman, Diane di Prima and Allen Ginsberg, to take action with your poetry, that every poem you write is a political action.鈥�
Wilson wants to see women unite to support each other鈥檚 wisdom so she encourages those who attend Take Back the Mic to bring their own poetry and stories of truth, and she looks forward to performing alongside Lishai Peel.
Peel authored the graphic novel Why Birds and Wolves Don鈥檛 Trade Stones in 2013 and released the 2014 album From Here On with musician and composer Waleed Abdulhamid.
At Take Back the Mic, she鈥檒l share some of her heavier pieces about overcoming the vicarious trauma of domestic violence.
鈥淏ut mostly, these days, I write from a place of joy,鈥� Peel said.
She鈥檚 looking forward to performing alongside Wilson, who mentored her at the Banff Centre.
鈥淰ery unapologetically badass is how I would describe [Wilson],鈥� Peel said.
Wilson will also co-facilitate a lunchtime session called Talk the Talk: Community Organizing and Power Dynamics April 30.
The Verses Festival of Words runs until May 3 and includes masterclasses and poetry slams. Take Back the Mic starts at 12:30, at the Havana Theatre. Details at .
